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The Queen's Film Society

Curated classic + art films, local Q&As, community events

 

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About Us

The Queen's Film Society fosters the art of cinema and creates a vibrant film culture in a communal setting.  We bring new and classic films of artistic and social significance to the community, presenting them as quality cinematic experiences.  ​

The Queen's Film Society does this not only by presenting movies to the community that would otherwise not be shown on a big screen in the Brazos Valley, but also by publishing members’ film analysis and criticism, and engaging with, promoting, and screening the work of local filmmakers.

We are a non-profit organization contributing to the humanistic and increasingly diverse climate of the Brazos Valley.  

Upcoming events

    • 11 Aug 2026
    • 7:00 PM - 8:45 PM
    • The Kimbell
    • 44
    Register


    Hercules in the Haunted World (Mario Bava, Italy 1961, 84 min.)

    Preceded by "Eye to Eye" (Nathanael Van Soest, US 2026, 4 min.) with the filmmaker in attendance for a discussion after the feature.

    Immediately following the success of his vampire classic Black Sunday, Mario Bava was recruited to direct (and photograph) the second of Reg Park’s Hercules films for producer Achille Piazzi. Freely departing from Roman mythology, the film gave Bava the opportunity to reimagine the sword-and-sandal genre. On its surface a jovial comedy adventure, Hercules in the Haunted World features a striking use of color, which would become one of Bava’s directorial hallmarks. But this playful peplum is tinged with a sense of genuine foreboding, voiced by a masked oracle Medea (Gaia Germani) in one of the film’s most stunning sequences. When Hercules descends into the depths of hell and confronts Lico (Christopher Lee), who has the power to call forth corpses from their tombs, the film plunges into the eye-popping, bone-chilling horror for which Bava had recently become famous.


    Reviews:

    “A breathtaking example of the ability of cinema to construct worlds before our eyes that invite our minds to enter and wander.” 

    --Screen Slate

    “Very expertly done, and handsomely mounted.”

    --Manchester Evening News


    “Quite an enjoyable ancient-world spectacular.”

    --Ealing Gazette

     

    “Hades, photographed with ingenious light and sound effects, steals the picture.”

    --Bristol Evening Post

     

    One of the most insanely beautiful movies ever made.

    --Medium

    Trailer



    • 27 Aug 2026
    • 8:00 PM - 9:45 PM
    • The 101
    • 49
    Register


    Pieces [Mil gritos tiene la noche] AKA: A Thousand Cries in the Night, AKA: Chainsaw Devil (Juan Piquer Simón, Spain 1982, 85 min.)

    Equal parts slasher, giallo, police procedural, campus thriller, and outright fever dream, Pieces barrels from one jaw-dropping scene to the next with complete confidence that nothing needs to make sense as long as it's entertaining. It has something to do with a deranged killer who suffered a traumatic episode involving a jigsaw puzzle as a child and now, as a result, dismembers women with a chainsaw. Egads. As the tagline for the US release quite honestly puts it, "It's exactly what you think it is." Also honest, the critic from Brooklyn Magazine who opined: "It’s absolutely fucking nuts."

    Free and un-ticketed--you don't think we'd charge for something like this, do you?


    Reviews:

    “An authentic hardcore splatter film of the sort Santa Cruz rarely has to endure.”

    --Santa Cruz Sentinel

    Pieces may have been assembled as a welfare project to provide employment of the chronically untalented since there’s not a shred of evidence of ability on the part of anyone connected with this production.”

    --The Harrisburg Evening News

    "In keeping with the conventions of 80s slasher movies, there is plenty of tits and ass on display."

    --Little White Lies

    "Lynda Day George... plays a well-known tennis star and undercover cop. (How she manages to be both is one of the film's lesser puzzles.)"

    --Los Angeles Times 

    Trailer



    • 8 Sep 2026
    • 7:00 PM - 8:45 PM
    • The Kimbell
    • 50
    Register


    Wild Strawberries (Ingmar Bergman, Sweden 1957, 92 min.)

    Traveling to accept an honorary degree, Professor Isak Borg—masterfully played by veteran director Victor Sjöström—is forced to face his past, come to terms with his faults, and make peace with the inevitability of his approaching death. Through flashbacks and fantasies, dreams and nightmares, Wild Strawberries dramatizes one man’s remarkable voyage of self-discovery. This richly humane masterpiece, full of iconic imagery that evokes artists including Salvador Dalí, Edvard Munch, and William Hogarth, is a treasure from the golden age of art-house cinema and one of the films that catapulted Ingmar Bergman to international acclaim.


    Reviews:

    “One of Bergman's warmest, and therefore finest films.” 

    --Time Out

    “One of the truly outstanding works of post-war European cinema.”

    --BBC

    A wonderfully composed movie in which Ingmar Bergman is able to vary the tone from melancholy to gaiety in the most deeply satisfying way.”

    --The Guardian

    “A richly rewarding expedition into the labyrinth of the soul... A gem.”

    --Newsweek

    Trailer



    • 15 Sep 2026
    • 7:00 PM - 9:30 PM
    • The Kimbell
    • 50
    Register

    Pan’s Labyrinth (Guillermo del Toro, Mexico/Spain 2006, 118 min.)

    In this fairy tale for adults, a small family in Spain moves into an old house in 1943 after the rise of Fascism. Their eldest daughter, at age 12, falls in love with a fawn that lives in the old ruined labyrinth behind their decrepit home. Pan's Labyrinth's Oscar-winning art direction and cinematography evoke the hypnotic, sometimes disturbing art of Arthur Rackham, Félicien Rops, and, in one horrifying moment, Francisco Goya.


    Reviews:

    "Guillermo del Toro has crafted a masterpiece, a terrifying, visually wondrous fairy tale for adults that blends fantasy and gloomy drama into one of the most magical films to come along in years."

    --Associated Press

     

    So breathtaking in its artistic ambition, so technically accomplished, so morally expansive, so fully realized that it defies the usual critical blather. See it, and celebrate that rare occasion when a director has the audacity to commit cinema.

    --Washington Post

     

    "One of the finest modern fantasies to date."

    --Arizona Republic

    Trailer



    • 22 Sep 2026
    • 7:00 PM - 9:15 PM
    • The Kimbell
    • 50
    Register

    Mamma Roma (Pier Paolo Pasolini, Italy 1962, 110 min.)


    Anna Magnani is Mamma Roma, a middle-aged prostitute who attempts to extricate herself from her sordid past for the sake of her son. Filmed in the great tradition of Italian neorealism, Mamma Roma offers an unflinching look at the struggle for survival in postwar Italy, and highlights director Pier Paolo Pasolini’s lifelong fascination with the marginalized and dispossessed. Though banned upon its release in Italy for obscenity, today Mamma Roma remains a classic, featuring a powerhouse performance by one of cinema’s greatest actresses and a roughhewn, neorealist aesthetic that nevertheless manages to organically incorporate the artistic sensibilities of master artists including Leonardo, Caravaggio, Masaccio and, even though Pasolini denied it, Andrea Mantegna’s stunning Lamentation of Christ (1480).

    Reviews:

    “Extraordinarily moving… A cry of social protest.”

    --Sight and Sound

    “As the titular, tragic prostitute, Anna Magnani executed one of the great roles of her career in Mamma Roma.”

    --Slant

    Mamma Roma remains a delicate and at times beautiful work… Pasolini’s final image of blighted urban wasteland, a vacant lot surrounded by grimy buildings and a church…, reverberate[s] like an El Greco.

    --Chicago Reader

    Trailer



    • 24 Sep 2026
    • 8:00 PM - 10:00 PM
    • The 101
    • 50
    Register

    Liquid Sky (Slava Tsukerman, US 1982, 112 min.)


    Margaret (Anne Carlisle) is a fashion model with dreams of stardom, whose alter ego and rival, Jimmy (also Carlisle), abuses and takes advantage of her to satisfy his rampant drug addiction. Unknown to them, tiny, invisible aliens have landed on the roof above the squalor in which they live and begin killing anyone Margaret has sex with to feed on their pleasure giving neurotransmitters. All the while, a German scientist attempts to capture and study them.

    Liquid Sky has been hailed as an underground masterpiece of avant-garde science fiction filmmaking set against the visual majesty of New York's early 80s New Wave scene, filled with arresting cinematography by Yuri Neyman and electrified by an acclaimed original soundtrack.

    Featuring the hit single, "Me & My Rhythm Box"

     Reviews:

    “The funniest, craziest, dirtiest, most perversely beautiful science-fiction movie ever made.”

    --David Denby, New York Magazine

    “Fascinatingly repellent, technically dazzling!”

    --Harper Barnes, St. Louis Post-Dispatch

    “Genuinely startling! The right audiences are bound to appreciate the originality, the color, rage, nonchalance, sly humor, and ferocious fashion sense.”

    --Janet Maslin, New York Times

    “Dazzling, shocking, funny and disturbing… If Matisse and Carl Orff had lived in the electronic/space age, they might have produced the kind of magical sight and sound that makes the $400,000 production look like a million bucks.”

    --Judy Stone, San Francisco Chronicle

    “There’s never been a better evocation of the so-called punk/New Wave ethic or a more concise explanation of what it’s all about—part rebellion against middle-class values, part thrill-seeking, and part aesthetic imperative that demands that every waking moment be lived as art.”

    --Robert W. Butler, The Kansas City Star

    Free and un-ticketed.


    Trailer

    • 29 Sep 2026
    • 7:00 PM - 9:15 PM
    • The Kimbell
    • 50
    Register

    Bedlam (Mark Robson, US 1946, 79 min.)


    In 1760s London, an actress campaigns to reform a horrific hospital for the insane, but instead finds herself committed to the institution by the corrupt head of the asylum. The final thriller from the Val Lewton production unit at RKO Studios, which gave us Cat People, Isle of the Dead and I Walked with a Zombie, Bedlam is one of the rare films in Hollywood history that acknowledges not a novel, play or short story as the source material, but a visual image: "Suggested by The William Hogarth painting 'Bedlam' Plate #8 The Rake's Progress."

    Reviews:

    “Several cuts above the average run of so-called horror films… As the sadistic chief warden of Bedlam, Boris Karloff is completely at home and is his usual sinister self.

    --The New York Times

    “Its tale of the celebrated 18th century madhouse is both intelligently written and admirably acted… Few Hollywood films ever had such ambition.

    --Time Out

    “Creepy, atmospheric, yet underrated Val Lewton thriller.”

    --San Francisco Examiner

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The Queen's Film Society

P.O. Box 142
Bryan, Texas 77806

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(979) 493-0588


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