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• May Meeting at the Kimbell Building

  • When
    19 May 2026
  •  
    7:00 PM - 8:00 PM
  • Location
    607 N. Main st. Bryan, TX

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  Help choose July's Member-Pick’d Flick and stay for a quick round of movie trivia! We’ll kick things off at 7:00 PM with a brief update, then hold the vote and crown our trivia champs. Film fans welcome - members vote.

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• These Are the Damned (1962) © Hammer Films / Columbia Pictures

  • When
    28 May 2026
  •  
    8:00 PM - 10:30 PM
  • Location
    The 101, 101 S Texas Ave, Bryan, Texas 77803

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  Cult Classics and Cold Ones presents: These Are The Damned (1965)

  There’s something deeply unsettling waiting just beneath the surface of Hammer Films’ The Damned—and once it pulls you in, it doesn’t let go. What starts as a rebellious seaside encounter spirals into a chilling blend of sci-fi, paranoia, and cold-war dread, directed with eerie precision by Joseph Losey. This is Hammer at its most unexpected: less gothic horror, more creeping, existential unease that lingers long after the screen goes dark. Catch it on the big screen while you can—because films like this don’t come around often, and they hit differently when you’re trapped in the dark with them.

  The 101 – 101 S Texas Ave, Bryan, TX

  Thursday, May 28, 2025 | ⏰ Showtime: 8:00 PM
  Free screening | Cold drinks available

  © Universal 

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• Drunken Noodles

  • When
    2 Jun 2026
  •  
    7:00 PM - 9:00 PM
  • Location
    The Queen Theatre
  • Spaces left
    50

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  Drunken Noodles (2026) is the kind of film that sneaks up on you—funny, messy, intimate, and quietly devastating in all the right ways. Set against late nights, cheap takeout, and the fragile rhythms of chosen family, the film follows a group of queer friends as they orbit love, identity, and the moments that change everything when you least expect it. It’s disarmingly real—conversations that feel overheard rather than scripted, performances that linger, and a tone that shifts effortlessly between sharp humor and emotional gut-punch.

  This is exactly the kind of film that lands best in a room full of people—where laughter ripples, silences hang, and recognition hits a little harder. For Pride Month, Drunken Noodles isn’t just representation—it’s reflection, community, and that rare sense of “oh, they actually got this right.” If you’ve been waiting for something that feels immediate, human, and just a little bit chaotic in the way real life is, don’t miss this one.

  
  

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